Call Detail
Call Overview
Days remaining to deadline: 42
Entry Fee (Non-Member fee): $50.00
Work Sample Requirements
Images | Minimum:Min. 1, Maximum:Max. 6
Audio | Minimum:Min. 0, Maximum:Max. 3
Video | Minimum:Min. 0, Maximum:Max. 3
Total Samples | Minimum:Min. 1, Maximum:Max. 6
Eligibility: International
State: Colorado
Call Description
NCECA 2027: BELONGING - REPRESENTATION IN CLAY
Juried by Lydia C. Thompson
DEADLINE: June 24, 2026 (11:59pm MDT)
Please note time zone - late entries will not be accepted
If you encounter problems and require technical assistance, contact CaFÉ™ support staff at cafe@wearecreativewest.org
If you have questions about eligibility or submission rules, contact tammy@nceca.net
HOSTED BY:
CREATIVE ALLIANCE
3134 Eastern Ave, Baltimore, MD 21224
(410) 276-1651
https://creativealliance.org/ Contact: Joy Davis joy@creativealliance.org
EXHIBITION DATES: March 5 - April 17, 2027
ABOUT THE EXHIBITION
Belonging – Representation in Clay, a juried exhibition organized by the National Council on Education for the Ceramic Arts (NCECA,) will run concurrently with CHARM, the 61st annual conference of the National Council on Education for the Ceramic Arts, Baltimore, Maryland, March 10-13, 2027. Previously known as the NCECA Multicultural Fellowship Exhibition, this iteration expands outside of the Multicultural Fellowship to platform artists who self-identify as marginalized. The exhibition brings together voices working across ceramics and interdisciplinary practices, emphasizing the role of clay in articulating identity, cultural histories, and systems of knowledge.
This exhibition reflects the ongoing impact of the Multicultural Fellowship and its influence on the field of ceramics. The exhibition accepts a range of generations, geographies, and material approaches. The works demonstrate how clay, alongside other media, is used to examine personal and collective narratives, engage community, and contribute to broader conversations in contemporary art.
NCECA acknowledges and gives thanks to Angelik Vizcarrondo-Laboy, curator of the 2022 NCECA Annual, Belonging – Representation in Clay. We are honored to extend the life of this universal and powerful concept through this recurring exhibition series.
ABOUT THE JUROR
Lydia C. Thompson is a visual artist and educator. She is a mixed-media artist specializing in ceramics that explore her cultural narratives. She received her Bachelor of Fine Arts degree from The Ohio State University and her Master of Fine Arts degree from the New York College of Ceramics at Alfred University. Her work has been included in galleries, art centers, and museums such as the Mindy Solomon Gallery, the Society for Contemporary Crafts, the Baltimore Clayworks, The Clay Studio, Clay Art Center, the Ohr O’Keefe Museum, the Kentucky Museum of Art and Craft, James A. Michener Art Museum, the Crocker Art Museum, the Mint Museum, and Northern Clay Center.
ABOUT THE GALLERY
Creative Alliance is a thriving hybrid cultural center dedicated to bringing artists and communities together to experience and engage through the arts and education. The physical environment integrates galleries with a 200-seat flexible theater, classrooms, and live/work studios for 8 artists.
ELIGIBILITY
Artists must be 18 years or older.
NCECA membership is not required for eligibility; however, NCECA members receive complimentary entry to NCECA exhibition calls.
Entry Fees: Member: $0.00; Non-member: $50.00
NCECA WILL VERIFY MEMBERSHIP. Please check your NCECA Membership status and expiration date by logging in to your NCECA Account at this LINK or by contacting support@nceca.net. To renew or become a member of NCECA, go to https://nceca.net/members
NUMBER OF WORKS
Artists may submit up to three (3) artworks.
Each artwork may include up to two (2) media files, for a maximum of six (6) media files total.
MEDIA & LIMITATIONS
This exhibition highlights dynamic approaches to ceramic practice, encompassing material, process, history, and context. Mixed-media work is acceptable when clay and ceramic processes are central to the work.
Video that engages ceramic materials, processes, or histories may be considered at the curator’s discretion.
Submit video as a link (YouTube, Vimeo, or similar).
One video sample per artwork may be submitted, up to two minutes in length; an additional link to a full-length video may be included.
Videos requiring login access will not be reviewed.
Artworks requiring projection may be required to have the appropriate technology supplied, based on the venue’s discretion.
Works involving photography that references ceramic materials or processes may be considered at the jurors’ discretion.
All works must be structurally sound and installable. Floor and pedestal works must be self-supporting.
Wall-mounted works must include secure hanging hardware.
Individual components should weigh under 100 lbs and fit through a standard 36” x 80” doorway unless designed for modular assembly.
NCECA and the venue reserve the right to exclude work that cannot be safely installed or arrives in unstable condition. Final selections are contingent upon the venue’s ability to accommodate the work.
EXCLUSIONS
NCECA reserves the right to exclude:
- Submissions with more than three artworks or more than two images per artwork
- Works in progress or representations of works in progress will not be considered.
- Works previously exhibited in NCECA Cornerstone exhibitions (Annual, NJSE, MCFE)
- Submissions with incomplete answers to questions
- The same work submitted to multiple NCECA calls in the same year
NOTE:
Submitted work must be available and match the original application.
No substitutions or alterations will be permitted after submission or acceptance.
Selected works must remain on view for the full duration of the exhibition.
ENTRY PREPARATION & APPLICATION PROCESS
Applicants must first create a CaFÉ™ profile at https://artist.callforentry.org/login.php
For complete specifications, tutorials, and resources, please visit the CaFÉ™ website at https://www.callforentry.org/artist-help-CaFÉ™/
Uploaded media files will be stored in your CaFÉ™ Portfolio as a repository of images to be accessed while completing the submission.
Media file submissions must comply with specifications found at CaFÉ™ https://www.callforentry.org/artist-help-CaFÉ™/uploading-media/
If you have a CaFÉ™ profile, log in and confirm your current contact information. This information will be used to contact you about a
Accounts that have not been used in the past two years are automatically deactivated by the CaFÉ™ system. If your account has been deactivated, allow ample time to contact CaFÉ™ and request reactivation.
Please note that if CaFÉ™ is experiencing high email volume, response times may be delayed by a few hours. Their hours of operation are Monday through Friday, 8:30 a.m. to 5:00 p.m. Mountain Daylight Time (MDT).
NCECA will not extend the submission deadline for applicants who experience technical issues with CaFÉ™ after 4:00 PM MDT on June 17, 2026. o avoid potential problems, we strongly recommend submitting your application well in advance of the deadline.
BEFORE BEGINNING YOUR SUBMISSION
Prepare all materials in advance, including images, artwork details, and written statements
Ensure in advance that your statements adhere to NCECA’s proposed character limits.
Save copies of all text for your records. and in case you are timed out of the platform
All submitted text should be carefully proofread and ready for publication.
If selected, NCECA will edit all submitted statements for the Exhibition Catalog to ensure consistency with its publication style guide, as well as for spelling, grammar, length, and clarity.
ARTIST STATEMENT
Provide a first-person statement that offers context for your work, including process, materials, influences, or themes.
Character limit: 600–1,000 characters (including spaces; approximately 100–150 words)
Do not include biographical information.
ARTWORK STATEMENTS
Provide a brief statement for each submitted artwork.
Total character limit: 2,000 characters (including spaces), shared across all submitted works.
Describe how each work relates to the exhibition concept and, if applicable, relevant processes or media.
BRIEF BIOGRAPHICAL STATEMENT
Provide a third-person biography focused on your background.
Character limit: 300–700 characters (including spaces; approximately 50–100 words)
Important: You must stay within the 700 character limit, even though CaFÉ™ allows up to 1,000 characters.
EXHIBITION HISTORY (NCECA MULTICULTURAL FELLOWSHIP EXHIBITION)
Has your work been previously exhibited as part of the NCECA Multicultural Fellowship Exhibition within the past three years? If yes, please select all applicable years:
☐ 2026 NCECA Multicultural Fellowship Exhibition
☐ 2025 NCECA Multicultural Fellowship Exhibition
☐ 2024 NCECA Multicultural Fellowship Exhibition
☐ Not Applicable
PRONOUNS (optional)
CV
Upload a two-page CV highlighting career accomplishments.
- Maximum file size: 2 MB
- File type: PDF or Word document
HEADSHOT
Submit a high-quality portrait of the artist.
- File type: JPG or PNG
- Minimum dimensions: 900 × 900 pixels
(Equivalent to 3 × 3 inches at 300 ppi; 6" at 150 ppi; 12.5" at 72 ppi) - Images larger than 900 pixels are acceptable; smaller images will not be used
Use this file naming format:
FirstName LastName_2027BEL_Photo credit_PhotographerName.jpg
Example:
Tammy Lynn_2027BEL_Photo credit_Robert Couto.jpg
WEIGHT OF ARTWORK IN LBS
IS THE WORK TO BE WALL MOUNTED?
SOCIAL MEDIA
Share up to two links (e.g., Instagram, website).
If not applicable, enter “NONE.”
IMAGES
Submit up to three artworks, with a maximum of two media files per work.
- Format: JPG (preferred)
- Minimum: 1,200 pixels on the longest side
- Maximum file size: 5 MB
- Color profile: sRGB
- Images must be high resolution.
- The submitted work must be available for the exhibition and match the original entry.
DETAIL IMAGES:
Detail or alternate views must be clearly labeled.
FILE SPECIFICATIONS:
- High-quality or uncompressed JPEG/JPG
- 300 dpi recommended
- Minimum 1,200 pixels on the longest side
- Under 5 MB
- sRGB color profile
IF SELECTED
You will be required to upload higher-resolution images for publication:
- Minimum dimensions: 2700 × 3600 pixels
(Equivalent to 9 × 12 inches at 300 ppi; 18 × 24" at 150 ppi; 37.5 × 50" at 72 ppi) - File type: JPG or PNG
- Upload via Dropbox (link provided upon selection)
REVIEW (Uploading Media to CaFÉ™): - https://www.callforentry.org/artist-help-CaFÉ™/uploading-media
WATCH: https://www.youtube.com/watch?v=tPddZVJzTAE&t=3s
IMAGE REQUIREMENTS
Each work submitted must include the following information:
- Title
Listed exactly as it should appear on the artwork label. - Medium (60-character limit, including spaces)
This will appear on the artwork label and in the exhibition catalog. - Dimensions
Height × Width × Depth (in inches). Do not use feet or metric measurements. - Artwork for Sale?
Yes or No - Price / Retail Value
A retail value must be provided, even if the work is not for sale.
This value cannot be changed after submission. - Year Completed
- Primary Discipline
Ceramics - Description
Include any additional information you would like the jurors to know about the work.
Important:
All submissions must include a declared monetary value for insurance purposes.
Please proofread carefully. This information may be used for insurance documentation, publicity materials, exhibition labels, and the catalog.
REVIEW AND SELECTION PROCESS
Work will be reviewed based on submitted images and statements. Final selections are contingent on the venue’s ability to install the work safely and professionally.
Selected artists will be notified via the CaFÉ™ System by August 14, 2026. Please check your spam folder before contacting NCECA.
SHIPPING, DELIVERY, AND RETURN OF ARTWORK
Artists are responsible for:
- Secure packing of artwork
- Arranging and paying for shipping and insurance (to and from the venue)
- Including a prepaid return shipping label and proof of shipment
Shipping can be costly—please research expenses in advance. NCECA cannot provide additional funding beyond what is laid out in the Shipping Reimbursement section.
Artwork must arrive at the venue February 22-26, 2027
Please note: NCECA, its agents, and representatives are not responsible for loss, theft, or damage. Artists may file claims with the insured venue or transit company as applicable.
If work is damaged during shipping, replacement work may not be accepted.
SHIPPING REIMBURSEMENT
NCECA will reimburse up to $400 per artist for shipping or transport.
- Ground shipping only (unless international shipping requires otherwise)
- Mileage reimbursement for hand delivery: $0.505 per mile
- Return shipping for sold work is the responsibility of the purchaser
- Rush fees are not reimbursable unless pre-approved
- Artists must retain and submit receipts for reimbursement
If multiple works by an artist are selected, the artist must:
- Obtain a combined shipping quote
- Request NCECA approval to increase the reimbursement cap based on the number of accepted works before signing an agreement
Note: This does not apply to a single entry consisting of multiple components.
Please do not contact the NCECA office to increase your shipping reimbursement unless you have more than one work accepted into the exhibition.
DOCUMENTING PACKING PROCESS
NCECA strongly recommends that artists document their packing process with photographs and brief written descriptions prior to sealing crates or boxes for shipment. This documentation may be necessary to support claims for damage incurred during transit.
RETURN OF UNSOLD WORK
Return shipping must be prepaid by the artist, who must be listed as the shipper of record.
At the close of the exhibition, the venue will repack works using the original crate or box. Artists are responsible for providing suitable, reusable packing materials; inadequate materials may result in additional repacking charges.
The venue cannot hold work after the exhibition closes. Artists must be available to receive the shipment or arrange an alternative in advance.
INSURANCE
The venue will insure works only while they are on its premises. Artists are responsible for insuring their work during transit to and from the venue.
All works must include a declared retail value, including those not offered for sale.
In the event of loss or damage, artists may be required to provide documentation supporting the declared value, such as evidence of comparable prior sales.
SALES
Artists may choose whether or not to offer their work for sale. A retail value must be provided for all works for insurance purposes, regardless of sale status.
For works sold, artists will receive 50% of the sale price; the remaining 50% will be retained as commission by NCECA and the exhibition venue.
Shipping costs for purchased work are the responsibility of the collector and should be coordinated with the artist and the venue.
PHOTOGRAPHY
Participating artists agree to allow NCECA, the exhibition venue, and gallery visitors to photograph work while on display for educational and promotional purposes.
NCECA may retain images of accepted works and use them for promotional and reporting purposes, including on the NCECA website, social media, print publications, and electronic communications. Images may also be shared with news and arts and culture media outlets.
CATALOG
NCECA reserves the right to produce a color print, print-on-demand, and/or web-based catalog for the exhibition. The catalog may include an essay by the curator, along with statements and images of artwork by participating artists.
If a print or print-on-demand catalog is produced, each participating artist will receive one complimentary copy. Additional copies may be available for purchase.
CONFERENCE PASS AND MEMBERSHIP
Selected artists will receive a complimentary conference pass and NCECA membership for the 2027 conference.
If the artist is a current member, their membership will be extended for up to one calendar year.
The conference pass and membership are non-transferable and valid only for the 2027 conference.
CALENDAR
Deadline:
Wednesday, June 24, 2026, 11:59 pm MDT (no late entries)
Notification:
By August 14, 2026
Loan Agreements Due:
Within 1 week of receipt
Delivery Window (Shipped & Hand-Delivered): February 22-26, 2027
Installation: Feb 26-28, 2027
Exhibition: March 5-April 17, 2027
CHARM, 1st Annual NCECA Conference in Baltimore, Maryland: March 10-13, 2027
Reception: Friday, March 12, 2027 6:00-9:00pm
Deinstallation: April 17-23, 2027
Return Shipping: April 17-30, 2027
Damage Claims:
Inspect work immediately upon return
Reimbursement Deadline:
May 15, 2027 (form provided at exhibition close)
If you experience technical issues, contact CaFÉ™ support at cafe@wearecreativewest.org
Please allow 2–3 hours for a response, especially during times of high email volume.
NCECA staff cannot provide technical assistance within the CaFÉ™ platform
When in doubt,
- Clear your Cache
- Close and reopen CaFÉ™
- Files should be .jpg
- Switch to a different browser. Some people have switched to a different browser to upload their headshots.
- Contact cafe@westaf.org
The CaFÉ™ website is best viewed with the following desktop browsers:
Firefox: current version
Safari: current version
Chrome: current version
Application Requirements
All work must be primarily ceramic. Mixed media works are eligible only when clay is the dominant material. Video works featuring clay or ceramics will also be considered.
Artists may submit no more than three (3) artworks with two (2) media files per artwork.
High-resolution images are required.
NCECA reserves the right to exclude any submissions with incomplete answers to questions.
Height × Width × Depth (in inches). Do not use feet or metric measurements.
A retail value must be provided, even if the work is not for sale. This value cannot be changed after submission.
Works previously exhibited in an NCECA exhibition are not eligible.
The same work may not be submitted to more than one NCECA exhibition call.
By submitting an entry to this call, artists confirm that they have researched the costs and will be prepared to to pay for round-trip shipping and include a return shipping label when they ship their work.
Eligibility Criteria
Applicants must be 18 or older.
NCECA membership is not required, but members receive complimentary entry.
Entry Fees: Member: $0; Non-member: $50
Membership Verification
Membership status will be verified. Check your account or contact support@nceca.net.
Join or renew: https://nceca.net/members
