Call Detail
Entry Deadline: 11/1/19
Application Closed
Entry Fee (The Great Divide): $25.00
Application Closed
Entry Fee (The Great Divide): $25.00
Work Sample Requirements
Images | Minimum:Min. 1, Maximum:Max. 3
Total Samples | Minimum:Min. 1, Maximum:Max. 3
Images | Minimum:Min. 1, Maximum:Max. 3
Total Samples | Minimum:Min. 1, Maximum:Max. 3
Call Type: Exhibitions
Eligibility: National
State: Florida
Eligibility: National
State: Florida
The Great Divide
Visual artists working primarily in clay are invited to submit work for the exhibition
‘The Great Divide’. The thematic aspect of selected works will explore aesthetic,
narrative, political or structural divides/divisions. At the same that our world
seemingly becomes smaller due to any number of systems
[internet/transportation/etc], the differences between people would appear to be
becoming greater. Who really knows if this is true? At the same time,
postmodernism has made possible fractured aesthetics, varying materials
juxtaposing, the exciting invention of new forms with diverse application, and a
seemingly odd abstraction of surfaces, relationships, and casting away of what
for centuries has been an assumed standard for high craftsmanship. For this
exhibition, there are no limitations to the conceptual or experimental. Both
utilitarian and sculptural works are eligible.
Jury and Curator
Bruce Dehnert
Entry Fee: $25 for up to 3 entries
Calendar
Deadline for receipt of entries – November 1st 2019
Notifications to artists – November 15th, 2019
Artwork due by date – December 3rd, 2019
Opening reception – December 14th, 2019
Final day of Exhibition: January 31st 2020
Pick-up/return of work: March 1st 2020
Visual artists working primarily in clay are invited to submit work for the exhibition
‘The Great Divide’. The thematic aspect of selected works will explore aesthetic,
narrative, political or structural divides/divisions. At the same that our world
seemingly becomes smaller due to any number of systems
[internet/transportation/etc], the differences between people would appear to be
becoming greater. Who really knows if this is true? At the same time,
postmodernism has made possible fractured aesthetics, varying materials
juxtaposing, the exciting invention of new forms with diverse application, and a
seemingly odd abstraction of surfaces, relationships, and casting away of what
for centuries has been an assumed standard for high craftsmanship. For this
exhibition, there are no limitations to the conceptual or experimental. Both
utilitarian and sculptural works are eligible.
Jury and Curator
Bruce Dehnert
Entry Fee: $25 for up to 3 entries
Calendar
Deadline for receipt of entries – November 1st 2019
Notifications to artists – November 15th, 2019
Artwork due by date – December 3rd, 2019
Opening reception – December 14th, 2019
Final day of Exhibition: January 31st 2020
Pick-up/return of work: March 1st 2020