Call Detail
LAPS Member Show
LAPS Sarah Mael
8635 Falmouth Ave #214
Playa del Rey CA

Contact Email:
Call Type: Unspecified
Eligibility: Unspecified
State: Unspecified
Event Dates: 10/3/12 - 11/16/12
Entry Deadline: 8/5/12
Application Closed
Images - Minimum: 1, Maximum: 5
Total Media - Minimum: 1, Maximum: 5
Entry Fee (Car Culture: LAPS Member Show): $20.00
Sisson Gallery
MacKenzie Fine Arts Building
Henry Ford Community College
1111 Evergreen Road
Dearborn, MI 48000
10/3/2012 through 11/16/2012
August 15th, 2012 Last day for uploading work onto CAFE
August 20th, 2012 Notification of jury posted onto CAFE
Sept. 26th, 2012 Arrival of shipped and hand delivered work to gallery (10am-6:00pm)
October 3rd, 2012. Opening Reception. Begins at 6pm*
November, 16th, 2012 Last day of exhibition
November 19 - 21, 10 AM - 6 PM Pick-up of hand delivered work

EXHIBITION THEME This exhibition is a collaborative effort with the
Mid America College Art Association. We are seeking artwork that reflects, and represents the work of each LAPS member. Artists’ statements are requested and will be displayed along with the selected artwork.

The Mid-America College Art Association is a professional society of college and university artist/teachers. Founded in the late 1930s, MACAA originally drew its membership from academic administrators and art historians who felt the need to discuss professional issues pertinent to the Midwest. Over the years, MACAA has grown far beyond the Midwest and regularly attracts members and conference participants from across the country. Also, it has evolved into an organization primarily (but not exclusively) geared to the practical and philosophical interests of studio faculty.

JUROR Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005).  Growing up with a father who collects prints has given her a life-long interest in art and especially works on paper that led her to complete a Ph.D. in the History of Art at Indiana University (2005).  Dr. Ellsworth's dissertation Icons on the American Landscape in the 1960s: Mapping the Culture of Car and Road is an examination of the depiction of automobiles by artists in the 1960s and the relationship of the automobile to the American Dream.  Recent publications include "Africobra and the Negotiation of Visual Afrocentrisms: in Civilisations and "David Furman: Participatory Expectations" in The Artist is in the Details: The Ceramic Art of David Furman.  She is also the author of "Grace Nicholson: Redrawing the Boundaries of Art and Life" published by the Pacific Asia Museum.  Dr. Ellsworth has presented her research on the 1960s African American arts collective Africobra at the Smithsonian American Art Museum.  Currently she holds two positions at California State University Dominguez Hills: Lecturer in the Department of Art and Design and Assistant Professor in the Humanities Masters of Arts Program in the College of Extended and International Education. 

INSTRUCTIONS FOR ENTRY Open to all Regular members whose 2012 dues of
$50 have been paid or included with entry form. The entry fee is $20 for up to 5 JPEGs. All JPEG images should be sized with 6 inches at the longest side at 300dpi (see CAFE requirements). All print media (except conventional photography), and mixed media in which printmaking is dominant, are acceptable.

PRESENTATION All work must be ready for installation. Hung pieces must be
framed, wired, and under Plexiglas. There are no size restrictions, but all shipping
containers must conform to UPS shipping standards for size and weight.
HAND DELIVERY Deliver to Sisson Gallery at Henry Ford Community College Sept. 26, 10 a.m- 6:00 a.m.
SHIPPING All shipped work must arrive at the Sisson Gallery between September 17th-26th. All
entries must include INCLUDE PRE PAID RETURN SHIPPING LABELS or FEDEX BILLING NUMBER and sent in strong reusable cartons. Be advised that artists will be responsible for the full cost of
return shipping and will be billed accordingly. Upon acceptance into the exhibition you will
receive further instructions about shipping and return shipping. Any abandoned work - not
picked up or lacking prepaid return shipping cost - will become the property of LAPS.
Artists must insure their own work while in transit. Works arriving late or damaged cannot
be included in the exhibition.
SALES Work will be sold at the price listed on the entry form, plus sales tax. There will
be a 25% commission on all sales.
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